Literary Criticism On Langston Hughes

James Langston Hughes (1902 -- 1967) With a career that spanned the Harlem Renaissance of the twenties and Black Arts movement of the sixties, Langston Hughes was the most prolific Black poet of his era. Between 1926, when he published his pioneering "The Weary Blues," to 1967, the year of his death, when he published" The Panther and the Lash," Hughes would write sixteen books of poems, two novels, seven collections of short stories, two autobiographies, five works of nonfiction, and nine children's books; he would edit nine anthologies of poetry, folklore, short fiction, and humor. He also translated Jaques Roumain, NicolÁ s GuillÉ n, Gabriela Mistral, Federico Garcia Lorca, and write at least thirty plays. It is not surprising that Hughes was known, variously, as "Shakespeare in Harlem" and as the "poet laureate of the American Negro." -- from the Preface by Henry Louis Gates, Jr.

Among the most influential poets of the Harlem Renaissance, Langston Hughes is perhaps best remembered for the innovative use of jazz rhythms in his writing. While his poetry and essays received much public acclaim and scholarly attention, Hughes' dramas are relatively unknown. Only five of the sixty-three plays Hughes scripted alone or collaboratively have been published (in 1963). Published here, for the first time, are four of Hughes' most poignant, poetic, and political dramas, Scottsboro Limited, Harvest (also known as Blood on the Fields), Angelo Herndon Jones, and De Organizer. Each play reflects Hughes' remarkable professionalism as a playwright as well as his desire to dramatize the social history of the African American experience, especially in the context of the labor movements of the 1930s and their attempts to attract African American workers. Hughes himself counted prominent members of these leftist groups among his close friends and patrons; he formed a theater group with Whittaker Chambers, prompting an FBI investigation of Hughes and his writing in the 1930s. These plays, while easily read as idealistic propaganda pieces for the left, are nonetheless reflective of Hughes' other more influential and studied works. The first scholar to offer a systematic study of Hughes' plays, Susan Duffy provides an informed introduction as well as a detailed analysis of each of the four plays. Each chapter begins with locating the play at a moment in the social history of the 1930s. Then Duffy analyzes the rhetorical strategies employed throughout the script, focusing on the political ideologies attacked as well as the ideologies endorsed. Duffy also establishes that De Organizer,a collaboration with noted jazz pianist and composer James P. Johnson (who also wrote its score) was indeed performed by the Labor Stage.

Semiotic literary criticism - Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics. Semiotics, tied closely to the structuralism pioneered by Ferdinand de Saussure, was extremely influential in the development of literary theory out of the formalist approaches of the early twentieth century.

Literary criticism - Literary criticism is the study, discussion, evaluation, and interpretation of literature. Modern literary criticism is often informed by literary theory, which is the philosophical discussion of its methods and goals.

Psychoanalytic literary criticism - Psychoanalytic literary criticism is literary criticism which, in method, concept, theory or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a rich and heterogeneous interpretive tradition.

Feminist literary criticism - Feminist literary criticism is literary criticism informed by feminist theory, or by the politics of feminism more broadly. Its history has been broad and varied, from classic works of nineteenth-century women authors such as George Eliot and Margaret Fuller to cutting-edge theoretical work in women's studies and gender studies by "third-wave" authors.

literarycriticismonlangstonhughes

Zora Neale Hurston Biography - ... neale hurston biography and work, as well as an annotated glossary of the organizations zora neale hurston biography and personalities that were important to it. From her enrollment at Baltimore s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West zora neale hurston biography and Alain Locke, to a final query letter to her publishers in 1959, Hurston s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent. Copyright (C) Muze Inc. 2005. For personal ...

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Woodson (historian and founder of the NAACP) 1920 William E. B. duBois 1921 Charles S. Gilpin (actor) 1922 Mary B. Talbert (president, National Association of Colored Women) 1923 George Washington Carver, Marian Anderson, Paul Robeson, Thurgood Marshall, Jackie Robinson, Martin Luther King, Jr, Langston Hughes, Sammy Davis, Jr, Alex Haley, Andrew Young, Rosa Parks, Coleman Young, Lena Horne, Bill Cosby, Jr, Jesse Jackson, Colin Powell, Maya Angelou, and Oprah Winfrey. 1919 Archibald H. Grimke (U.S. Consul, president of the NAACP in 1914. Winners of the Board of the NAACP) 1938 No award given 1939 Marian Anderson 1940 Louis T. Wright (surgeon) 1941 Richard N. Wright 1942 A. Philip Randolph 1943 William H. Hastie (jurist and educator) 1944 Charles R. Drew 1945 Paul B. Robeson (singer, actor) 1946 Thurgood Marshall 1947 Percy L. Julian (research scientist) 1948 Channing Heggie Tobias (participant on the President's Committee on Civil Rights) 1949 Ralph J. Bunche 1950 Charles H. Houston (Chairman, NAACP Legal Committee) 1951 Mabel K. Staupers (leader of the D. C. Branch of the Medal 1915 Ernest E. Just 1916 Major Charles A. Young (U.S. Army) 1917 Harry T. Burleigh (composer, pianist, singer) 1918 William S. B. Braithwaite (poet, editor, literary critic). Spingarn Medal is awarded annually by the NAACP in 1914. Winners of the NAACP literary criticism on langston hughes.